A New York Times Notable Book of 2015 (Fiction and Poetry)
A Kirkus Reviews Top 10 Book of 2015 (Literary Fiction)
Hailed by The New York Times for its “wildly ambitious and mesmerizing storytelling,” The Incarnations is a “brilliant, mind-expanding novel” (Chris Cleave) about a Beijing taxi driver whose past incarnations haunt him through searing letters sent by his mysterious soulmate.
“Who are you? you must be wondering. I am your soulmate, your old friend, and I have come back to this city of sixteen million in search of you.”
So begins the first letter that falls into Wang’s lap as he flips down the visor in his taxi. The letters that follow are filled with the stories of Wang’s previous lives—from escaping marriage as a spirit bride, to being a slave on the run from Genghis Khan, to living as a fisherman during the Opium Wars, to being a teenager on the Red Guard during the Cultural Revolution—bound to his mysterious “soulmate,” spanning one thousand years of betrayal and intrigue.
As the letters continue to appear, Wang becomes convinced that someone is watching him—someone who claims to have known him for over one thousand years. And with each letter, Wang feels the watcher growing closer and closer…
Seamlessly weaving Chinese folklore, history, and literary classics, The Incarnations is a taut and gripping novel that sheds light on the cyclical nature of history as it hints that the past is never truly settled.
The Incarnations by Susan Barker
Susan Barker is a British novelist. She has an English father and a Chinese-Malaysian mother and grew up in East London. She is the author of the novel Sayonara Bar, which Time magazine called "a cocktail of astringent cultural observations, genres stirred and shaken, subplots served with a twist" and The Orientalist and the Ghost, both longlisted for the Dylan Thomas Prize.
Her third novel The Incarnations is about a taxi driver in contemporary Beijing and interwoven with tales from the Tang dynasty, the invasion of Genghis Khan, the Ming dynasty, the Opium War, and the Cultural Revolution. While writing The Incarnations she spent several years living in Beijing, researching modern and imperial China.
She has received grants from the Arts Council England and the Society of Authors, and has been an artist in resident at the Corporation of Yaddo, Hawthornden International Writers’ Retreat and the Red Gate Gallery in Beijing. In 2010- 2012 she was a Royal Literary Fund Fellow at Leeds Trinity University.